Tag: Actor Profile

Meet Mr. Peach – Steve Scott

Meet Mr. Peach – Steve Scott

Steve Scott becomes Mr. Peach in Farndale Macbeth

As we get closer to our Farndale Macbeth opening, we want to introduce you to some of our cast and crew. First up is Steve Scott. Steve has been a fixture in the MCCT and BPP worlds for years, but his role in Farndale is unlike anything he’s ever done before!

What brought you to MCCT in the first place?
A former President of MCCT, Eric Anderson, saw my silly theatrics when I taught children’s classes at my martial arts school. In 2012 he asked me to play the role of “the fireman” in “Studs Terkel’s Working: The Musical”. I loved it.

Why did you want to be a part of Farndale?
The role of Peach offers me a chance to stretch out and test my range as an actor.

What is the most challenging part of your role?
The wardrobe, the makeup. I’ve been getting a LOT of help with that!

What is something unexpected that you’ve learned by being a part of community theater?
It isn’t so much what I’ve learned but who I’ve gotten to know. I’ve met some outstanding people through my years at MCCT.

What is your favorite thing about this show?
It’s tremendously funny. I acted in four of MCCT’s Shakespeare productions and get the biggest kick out of seeing a farce built around “The Scottish Play”.

What is your biggest challenge with this show?
See #3. With the addition that walking in heels might be a challenge…

What would surprise the audience to know about you?
In real life I’m Mr. Peach’s antithesis. If I can make Steve Scott disappear and become a convincing George Peach, I’ll count it a success.

Farndale opens April 12 at Stages Bloomington. Tickets are $15 and available now. Get yours here!

Actor Profile: Jessica Joslin brings Allison to Life in Uncertainty

Actor Profile: Jessica Joslin brings Allison to Life in Uncertainty

During her long, construction-heavy commute from Indianapolis, Jessica Joslin has plenty of time to think about her Uncertainty alter-ego, Allison, and what it means to step back on stage after a long hiatus.
How did you get involved in MCCT? What made you audition for this show?
Emily McGee has been trying to get me involved with something in theatre down here for several years. I think she had just about given up on me when I came to audition for this. 
How long have you been acting/involved in theater?
I started Meisner training in spring of 1999. I haven’t been on stage in 17 years prior to this production.
What do you do when you’re not rehearsing?
Rehearsing. But this time, music. I’m a frontman and bass player for a rock band in Indianapolis. I’m also in graduate school, preparing to test for my LMHCa License to be a mental health counselor.
What has been an unexpected challenge of this production?
The commute. I drive 1.5 hours to and from rehearsals, and I have a big part in the production. I’m in most rehearsals. That construction!!!! Whew!
What has been most rewarding?
Being here, going through the process again for the first time in so many years. I think theatre, once in your blood, never leaves. My theatre life was dormant for years. I constantly waged the battle to beat it silent after seeing shows and volunteering for local theatres. It was like laughing again for the first time in a year or something to be able to do this work again.
Why should audiences come to see Uncertainty?
It is just so darn funny. I mean, when you work on a comedy, you get used to each other’s jokes because you’ve heard the script a million times. However, in this play, the way we all work together, we are constantly laughing in fresh places. This show sounds and looks different every single time we run it. Our director is a genius that way. She just throws all of us in the same soup pot without telling us what the finished dish is supposed to be. So you might get beef stew and you might get chili. No matter what, every drop is just a pleasure.
What are your top three dream roles?
I would love to do Laura from The Glass Menagerie before I start looking my age. I love any Ibsen and Shaw roles, and can’t wait to truly hit middle age just to be able to be a great Virginia Woolf. I’d like to keep my options open on that third one. I mean, I didn’t know about this role at all, and I love it dearly. 
What is the best/worst thing about playing Allison?
Playing Allison is sometimes scary for me because she’s almost exactly like me in my youth. It’s the best and worst thing. Sometimes I freak out a little thinking, “This feels too easy!!!! Did I really do the work?!” Then we get to really hard part in my lines and I realize, Oh yeah. I did the work alright.
Anything else you’d like to add?
Thanks to MCCT for taking a chance on a fresh face and an out of practice actor.


Catch the show at Oddball Fermentables
  • Sunday, September 9 at 2:00pm
  • Monday, September 10 at 7:00pm
  • Tuesday, September 11 at 7:00pm
Actor Profile: Mike Milam goes from MCCT Supporter to Cast Member in His Acting Debut

Actor Profile: Mike Milam goes from MCCT Supporter to Cast Member in His Acting Debut

After years of supporting MCCT behind the scenes, Mike Milam braves the stage as Alonso in The Tempest. We asked him about why he made the transition from proud supporter to actor, and how his knowledge of Shakespeare adds to this production of The Tempest.

How did you get involved with MCCT?

I became involved in MCCT because my daughter, Jennifer Whitaker, is on the board, and I and my wife, Pam, have been supporters for several years. Pam is also involved in MCCT matters, working on props, and, in fact, my grandson, William Whitaker, has played in several MCCT productions and in the present one.

How long have you been acting?

About a month. This is my maiden voyage. I cannot even recall being on stage in grammar school although I may have been once in that distant past.

What do you do when you aren’t rehearsing Shakespeare?

My day job is Associate Professor of Comparative Literature and Director of International Programs at the University of Indianapolis. After teaching ancient and modern drama, including the Bard, for a number of years, I decided to take a whack at Shakespeare, so to speak. I am on sabbatical this summer and next year, so after the Tempest, I will be reading, writing, working around the house, and relaxing for some time.

What has been the hardest part of this production?

Having taught Shakespeare in class, the language with which I am not unfamiliar proves not an encumbrance. However, speaking the lines is a challenge. I found out—and how sharp the point of this remembrance is!—that memorizing lines without speaking them aloud as one does the blocking is impossible.

What has been the most rewarding?

Seeing and being involved in making Shakespeare come alive on stage from the static existence of the page. When we study drama in class, we are concerned with structure, theme, historical context, language and such literary considerations. Being involved in performance has given me insights into what I teach that are exciting and revelatory.

Why should Bloomington audiences come out to see The Tempest?

Because we are going to knock their socks off! They shall weep! They shall laugh! They shall leave enlightened!

They shall leave cathartic! There will be moments of pathos. Acrobatics! Dionysian revelry. Levitation of levity! Tragedy merrily averted. Stunning visual effects. Maybe, just maybe, we shall collectively find out how the genius of tragedy and comedy are one as Socrates so tantalizingly suggests at the conclusion of The Symposium. Now, who would possibly want to miss that?

Come see Mike and the rest of the 2018 Shakespeare in the Park cast and crew May 31-June 3 at Waldron Hill Buskirk Park (formerly Third Street Park).

  • Thursday-Saturday shows are at 7:00pm, with a pre-show performance of Tempest in a Teacup at 6:45pm.
  • The Sunday matinee is at 3:00pm with a 2:45pm preshow.

As always, Shakespeare in the Park is free!

Actor Profile: As Ferdinand, Caleb Curtis Explores Bravery, Love and Loss

Actor Profile: As Ferdinand, Caleb Curtis Explores Bravery, Love and Loss

MCCT newcomer Caleb Curtis brings to life Ferdinand, the Prince of Naples, in The Tempest. We sat down with him before his MCCT debut to talk about dream roles, Ferdinand’s love and uncertainty, and what makes being a part of Shakespeare in the Park is really like.
How did you get involved with theater?
A friend of mine who was a part of Monroe County Civic Theater in the past heard that I was looking to be in a show before I went to Interlochen Camp of the Arts for the rest of the summer and suggested that I audition. So I did, and here I am!
How have you approached the role of Ferdinand?
Ferdinand is the Prince of Naples, and with that comes a massive amount of responsibility! I believe that Ferdinand is very reluctant to accept this position in life, and because of that has a supreme lack of confidence in himself and his abilities. Ariel mentions to Prospero that Ferdinand was the first to LEAP from the boat when it wrecked, and to me, that sounds like a man who is afraid. Throughout the course of the play, when Ferdinand speaks of himself, he is either building himself up to an amusing rate or tearing himself down, which I think supports the fact that he is very insecure. Miranda is not only the love of his life but through his love for her, he finds a strength that he never knew he had and she gives him the confidence that might help him one day accept his position in life.
What’s it like rehearsing each night in the park?
It allows me to absorb some vitamin D! In all seriousness, I really enjoy the ability to rehearse outside, considering most of my rehearsals take place in a cold dark theater. Sure, it gets hot sometimes, but the heat and the surroundings of the park really lend itself to this play! And for being in the middle of downtown Bloomington, this park is extremely beautiful!
What are your top three dream roles?
Edmond From A Long Day’s Journey Into Night, Christopher from the Curious Incident of the Dog in the Night-Time, and a tie between Ned Weeks from The Normal Heart and Prior from Angels in America.
Why should Bloomington audiences come out to “The Tempest”?
This production of The Tempest is extremely immersive! The space that we find ourselves in, the nature of the play, and the way our director Rory has blocked this show takes the play off the stage and puts it right in front of the audience! I think this is a timely play that tackles many important themes including love, abuse of power, displacement, dealing with feeling alone, and even facing death. And, you even get a good laugh once in awhile! This cast is really doing the best they can to make this a memorable version of this frequently done play, and I think the work we’ve put in shows!
What do you hope the audience takes away from this production?
I hope audiences are able to identify with some aspects of these characters and the quirks and fears that they have! I hope the audience is able to receive the needed message that this play provides that Shakespeare has wrapped in a bow of magic, charm, and humor.

Come see Caleb and the rest of the 2018 Shakespeare in the Park cast and crew May 31-June 3 at Waldron Hill Buskirk Park (formerly Third Street Park).

  • Thursday-Saturday shows are at 7:00pm, with a pre-show performance of Tempest in a Teacup at 6:45pm.
  • The Sunday matinee is at 3:00pm with a 2:45pm preshow.

As always, Shakespeare in the Park is free!

Actor Profile: Eric Van Gucht portrays Teddy in “When You Comin’ Back, Red Ryder?”

Actor Profile: Eric Van Gucht portrays Teddy in “When You Comin’ Back, Red Ryder?”

Monroe County Civic Theater is entering into its 32nd season as Bloomington’s only all-volunteer, amateur community theater company. First up, director Isadore James Torry brings us a gripping drama where small town diner patrons and staff are held hostage and forced to face their own mortality… and each other.

Eric Van Gucht plays Teddy, the perpetrator of these crimes in the MCCT production of Mark Medoff’s “When You Comin’ Back, Red Ryder?” the 1974 Obie Award winner for Distinguished Play. The production will be performed at Cafe Pizzaria, April 6-8, 7pm.

This is the first in a new series of MCCT actor/crew profiles. I’ve asked Eric to talk about playing Teddy, his experiences as an IU Theater graduate, and what community theater means to him.



When did you first want to be an actor? Was there a first acting experience that really made you love it and can you tell us about that?


I was in seventh grade, around age thirteen, when I started doing theater seriously. I had a neighbor who had done it for several years, and I saw him acting and thought it would be fun to try. At the time I didn’t expect my theatrical career to last as long as it has, but I’m glad it did. At my first serious audition for a middle school play I ended up getting the lead role and never looked back. It’s been a very good friendship between the craft and I.

One production that I really loved which made me really want to pursue theater beyond just a high school level was The Fantasticks as a junior at Bloomington North. I got to be on stage with my best friend, and it was the first serious show (i.e. show not written for middle school audiences) that I’d ever experienced. It remains one of my favorites to this day.


What would you say your biggest hurdles were as an actor/theater student? Did you consider other degree programs?

Good question! One of the hardest parts about theater was learning how to deal with failure. Since I had a couple of lead roles in middle school, I came in a little overconfident as a high school actor. In those four years I ended up doing two productions where I acted on stage, and two more where I worked backstage.

For beginning actors an important lesson to learn is that the nature of competing in professional theater means you’re going to get a lot more noes than yeses. I’ve done a lot of work with Monroe County Civic Theater and other local groups, and I’ve gotten involved in a few independent shows connected to IU.

I also have a B.A. in French, and between the two degrees I feel like I have a good command of words. I never really considered any other degree programs at the time, but in hindsight it might have helped me to consider other options. I love to do theater, but creativity has a lot of competition in it.


What can you tell us about your current role in “When Ya Comin Back, Red Ryder?” as Teddy, a Vietnam veteran who holds the customers and staff in a 1970s New Mexico diner hostage? How did you prepare for it and how do you think your personal and professional experience helped you learn about the character?

I’m reading Teddy as a misanthrope, someone who’s seen the worst of the world and doesn’t know how to react accordingly. He either doesn’t care anymore, or has a desire to cause pain to the very system that enabled him. At the same time, he is able to get several characters to figure out their own values, so I’d argue there is something significant in that.

The role is very psychologically and physically challenging, but I love roles that are psychologically troubled. These characters often have more life experience due to the inconsistent and chaotic nature of their world.


What are your goals as an actor in our community and beyond? What kind of roles do you think would stretch you?

In terms of stretching myself? I’d love a chance to play a romantic lead in the near future, to try to see if I can succeed. I also would love to play characters that seem to have something missing in their lives. Essentially “man vs. society” and/or “man vs. self” roles, perhaps a combination of the two whenever possible. My goal is to find the balance between art and life, and find the time to enjoy both.

There’s a hidden beauty to art, and I’d love to try to find out what that means. It might help bring back some hope in this world that we seem to be missing nowadays. Basically, I want to explore the therapeutic, healing side of art. I’ve heard a saying: “As long as you have four things – an idea, an artist, a location, and an audience – then art will always survive.” I’ve always loved that saying.


What advice would you like to give for anyone looking to get involved in community theater, or for someone who wants to study acting professionally? Any other words of wisdom?


I’m going to paraphrase something I was told by a fellow actor, which is something I try to use both on stage and in life: “Don’t do the work looking for a reward.” Let it happen naturally, and let the work itself be rewarding. Knowing yourself is very important in life, and I’d argue especially in the arts.

Last Question: who would you like to give a shout out of thanks to for their support?

I’d like to thank my dad Dirk, stepmom Linda, and late mom Ruth for coming to so many shows and fostering my love for the arts; my brother Nick, sister Dinska, and stepbrother Chris because even if they can’t make my shows they always give me words of encouragement; the cast of Red Ryder for keeping me grounded during this production; Andi Dema, a great actor and great man who I am honored to call my best friend; and to Allison Moody, a professor I had for two semesters in college who I consider my mentor.

Interview conducted by Katelin Hope Vesely, MCCT


The historic Cafe Pizzaria is partnering with MCCT for this show.  We will set the stage in their back room with the authentic decor of times gone by. Cafe Pizzaria was the first to bring pizza to Bloomington in 1953, and is still housed in a building which lends itself well to the 1970s restaurant aesthetic in Red Ryder. This will be an immersive experience, with the audience sitting close as if also witness to the events taking place.

Cafe Pizzaria is located at 405 E. Kirkwood Ave.

When You Comin’ Back, Red Ryder?” is April 6-8 at 7pm. Mark your calendars and purchase tickets in advance through https://mcct.yapsody.com/