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Directors' Symposium X

Performed at the John Waldron Arts Center, April 2005
Directed by Ben Aldred, Janice Clevenger, Robert H. Wagner and Russell McGee

Photos · Casts · Crew · Directors' Notes

Photos
Photographs by Tim Johnson

MCCT's First Improv Troupe MCCT's First Improv Troupe MCCT's First Improv Troupe The Lady in her Portrait and Beau Nash
The Girls Cassie, Charo and Megan Chris and the American President Chris and Jorge
Click For Larger Image

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Casts

And... Blackout!
MCCT's First Improv Troupe
Directed by Ben Aldred

Improv Player #1
Improv Player #2
Improv Player #3
Improv Player #4
Improv Player #5
Improv Player #6

Ben Aldred
John Benman
Hannah Moss
Theresa Schmieder
Jorie Slodki
Lindsay Woodall

 

The Beau of Bath
by Constance D'Arcy Mackay
Directed by Janice Clevenger

Beau Nash
Jepson, his servant
The Lady of the Portrait

Bruce Pearson
Larry Rinker
Julie Chapin

 

Sorry, Wrong Number
By Lucille Fletcher
Directed by Robert H. Wagner
Produced by special arrangement with
Dramatists Play Service, Inc.

The Man in Black
Mrs. Stevenson
Operator #1
Man #1
Man #2 (George)
Chief Operator
Operator #2
Sgt. Duffy
Lunch Deliveryman
Operator #3
Information Operator
Western Union Agent
Hospital Switchboard

Richard Fish
Rachael Himsel
Jamie Acres
Joel Pierson
Joel Pierson
Nicole Bailey
Sue Edgerton
Rance Fawbush
John Benman
Susan Anderson
Amanda Smith
Anne Kerkian
Jamie Acres

 

Lysistrata Americana
Adapted and Directed by Russell McGee

Lissy
Cassie
Megan
Charo
American President
Chris
Jorge
Mexican President

Lindsay Woodall
Nicole Bailey
Julie Chapin
Anne Kerkian
David Michel III
Mark Thostesen
John Benman
Ben Aldred

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Crew

Producer
Directors
 
 
 
Sound Design
 
Sound Tech
 
Production Consultant
Props
 
 
Sound Reproduction
     Equipment
Set Design & Construction
 
 
Posters and Programs
 

Tim Johnson
Ben Aldred
Janice Clevenger
Robert H. Wagner
Russell McGee
(2) Joel Pierson
(3) Brian McGuire
(2) Suzanne Donnelly
(3) Sara Johnson
(2) Richard Fish
(2) Bloomington Playwrights
Project
(2) Jamie Acres
(2) Joel Pierson
 
(1) Rance Fawbush
(1) Frank Buczolich
(2) Robert H. Wagner
Sara Johnson
Tim Johnson

(1) = Credit refers to "The Beau of Bath"
(2) = Credit refers to "Sorry, Wrong Number"
(3) = Credit refers to "Lysistrata Americana"

 

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Directors' Notes

Starting an improv troupe from scratch is like trying to bake a cake without spoons or a mixer. It can be messy and require some creative processes, but the process ends up being tasty and you end up with a cake that has a real personal touch. So, I guess what I'm saying is, I like cake.

--Ben Aldred

Bath in England is a hotsprings (like French Lick). Richard "Beau" Nash (1674-1761) transformed the sleepy little town into a popular, high class, genteel gathering place and was its guiding social leader. Written about 100 years ago, this playis a romantic fantasy based on fact but not closely.

--Janice Clevenger

The singular, all time, most popular episode in the 1940’s radio drama series "Suspense Theater" was "Sorry, Wrong Number!" starring the inimitable Agnes Moorehead as a bedridden, panic stricken, "Mrs. Stevens", who tried, in vain, to convince a series of telephone operators that she had overheard a murder plot on a crossed phone line. A film version later had Barbara Stanwyck in that same role. This evening, MCCT presents an adaptation of the radio script to our local stage.

MCCT Director Robert Wagner has chosen to stage this visual adaptation of the original Moorehead broadcast to entertain our audience with the visual experience Mrs. Stevens’ emotional turmoil; facial expressions, and body language, as well as the voice of a frightened woman unable to rise from her bed.

At the same time, Wagner hopes that tonight’s theater audience will appreciate conjuring up their own images of the other unseen, some even sinister, characters. Indulge in the Suspense!

--Robert H. Wagner

"Lysistrata Americana" is madcap, slap stick humor; Mel Brooks meets Woody Allen. The play focuses on a war of the sexes, a battle that places both genders in very compromising positions. Adapted from Aristophanes’ Lysistrata, this bawdy satire has lost none of its topicality; the language has been modernized to make the play more accessible to today’s audience. The basic story is that the women of two warring countries join forces and go on a sex strike to stop the men from continuing the war.

--Russell McGee

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